AUDIO INTERFACE HIRE.
The boxes that get audio on and off a network. A comms system rarely stands alone: programme feeds come in, intercom goes out to a broadcaster, a matrix in one format has to meet a console in another.
These are the interfaces and converters we use to make those joins, from a two-channel Dante box on a stage to 64 channels between MADI and Dante.
AUDIO INTERFACES
Riedel
NETWORK STREAM ADAPTERS
Four-wire and partyline into AES67, for Bolero and Artist: the NSA-002A and NSA-003A.
Specifications →
Clear-Com
IF4W4 INTERFACE
Four interfaces in one rack unit, each joining a four-wire circuit to a Clear-Com partyline: a camera’s intercom, a two-way radio, a fibre link.
Specifications →
Green-GO
INTERFACE X
The interface between Green-GO and analogue audio.
Specifications →
Green-GO
DANTE X
Green-GO to Dante and back, without going through analogue.
Specifications →
Green-GO
RADIO & LINE INTERFACES
Two-way radios, other sites over the internet, and single partyline or four-wire circuits.
Specifications →
Neutrik
NA2-IO-DPRO
Two inputs and two outputs on Dante, in a box small enough to sit on a stage or hang on a truss.
Specifications →
Ferrofish
A32PRO DANTE
Thirty-two analogue inputs and thirty-two outputs in one rack unit, with MADI, ADAT and Dante beside them and a routing matrix between all four.
Specifications →
CTP Systems
DIO0808MA-XLR
Eight microphone or line inputs and eight line outputs on XLR, straight onto Dante, in one rack unit.
Specifications →
DirectOut
ACE
A routing and conversion platform in a compact 1U case: analogue, AES3, four MADI ports and network audio, all meeting in one matrix.
Specifications →
DirectOut
EXBOX.MD
Sixty-four channels between MADI and Dante, in both directions.
Specifications →
Audinate
DANTE AVIO
Two channels of line-level audio on or off a Dante network, on XLR, powered by the network cable.
Specifications →
Studio Technologies
47A & 545AR
Two-wire partyline to four-wire, with automatic nulling: two interfaces in a rack unit, or one in half the width.
Specifications →AT A GLANCE
| UNIT | ANALOGUE | DANTE | MADI | OTHER | FORMAT | POWER |
|---|---|---|---|---|---|---|
| Dante AVIO input | 2 in, line | 2 × 0 | None | AES67 | Adapter | PoE |
| Dante AVIO output | 2 out, line | 0 × 2 | None | AES67 | Adapter | PoE |
| Neutrik NA2-IO-DPRO | 2 in, 2 out, mic or line | 2 × 2 | None | AES/EBU | Stage box | PoE |
| Ferrofish A32pro Dante | 32 in, 32 out, line | 64 × 64 | 2 × SFP | ADAT | 1U | 12 V DC |
| CTP DIO0808MA-XLR | 8 in, 8 out, mic or line | 8 × 8 | None | AES67 | 1U | PoE, mains or 12 V |
| DirectOut ACE | 4 in, 4 out, mic or line | 64 × 64 | 4 × SFP | AES3 | 1U | USB-C supply |
| DirectOut EXBOX.MD | None | 64 × 64 | BNC, optical, SFP | AES67 | Desktop | DC or PoE |
| Clear-Com IF4W4 | 4 four-wire circuits | None | None | Clear-Com partyline | 1U | From the partyline |
| Studio Technologies 47A | 4 in, 4 out, line; 2 two-wire | None | None | RTS and Clear-Com partyline | 1U | Mains |
| Studio Technologies 545AR | 2 in, 2 out, line; 1 two-wire | None | None | RTS partyline | Half rack | 12 V DC |
| Green-GO Interface X | 2 in, 2 out, line; 1 two-wire | None | None | Green-GO | 1U | PoE or 12 V |
| Green-GO Dante X | None | 4 × 4 | None | Green-GO | 1U | PoE or 12 V |
ALSO IN THE CATALOGUE
- Wireless IntercomBeltpacks and antennas that let a crew talk freely, hands free, wherever they walk.
- Wired IntercomPartyline and networked beltpacks, on microphone cable or network cable.
- Matrix & KeypanelsThe frames at the centre of a system, and the panels for the people who run the show.
- HeadsetsSingle and double ear, from lightweight all-day headsets to high attenuation for loud stages.
- Two-Way RadioMotorola digital radios, repeaters and accessories, and the interface that ties them into the intercom.
- NetworkingManaged switches built for audio, video and intercom over IP.
- Specifications are the manufacturers’ published figures and can change with hardware and firmware revisions. Product names and trade marks belong to their owners.
NEED IT ON A SHOW?
Tell us the dates, the venue and roughly how many people need to talk. You will get a written quotation covering equipment, engineering time and delivery.