INTERCOM HEADSET HIRE.
A headset decides how well someone hears a cue and how clearly they are heard. The right one depends on how loud the position is and how long it will be worn.
Most fit any beltpack or panel with a 4-pin XLR. We match headsets to the system and to the people using it.
HEADSETS TO HIRE
Riedel
HEADSETS
MAX for loud stages, AIR for long days, PRO for broadcast: single or double ear.
Specifications →
Clear-Com
CC SERIES HEADSETS
Single and double ear, standard and lightweight, with a microphone that mutes when the boom is lifted.
Specifications →
Green-GO
HS200 HEADSETS
Single and double ear, with a dynamic microphone and a coiled cable.
Specifications →
PunQtum
Q915 & Q925 HEADSETS
Single and double ear headsets with a dynamic microphone, on a 4-pin XLR.
Specifications →
David Clark
SERIES 8500 HEADSETS
Double and single ear, with gel ear seals and a noise-cancelling microphone.
Specifications →ALSO IN THE CATALOGUE
- Wireless IntercomBeltpacks and antennas that let a crew talk freely, hands free, wherever they walk.
- Wired IntercomPartyline and networked beltpacks, on microphone cable or network cable.
- Matrix & KeypanelsThe frames at the centre of a system, and the panels for the people who run the show.
- Two-Way RadioMotorola digital radios, repeaters and accessories, and the interface that ties them into the intercom.
- Audio InterfacesDante and MADI interfaces, converters and breakout boxes that get audio on and off a network.
- NetworkingManaged switches built for audio, video and intercom over IP.
- Specifications are the manufacturers’ published figures and can change with hardware and firmware revisions. Product names and trade marks belong to their owners.
NEED IT ON A SHOW?
Tell us the dates, the venue and roughly how many people need to talk. You will get a written quotation covering equipment, engineering time and delivery.