RIEDEL HEADSET HIRE.

A headset decides how well someone hears a cue and how clearly they are heard. Riedel makes three that cover most of a production: MAX for loud environments, AIR for people who wear one all day and need to hear the room, and PRO for broadcast and commentary.

All three fit Bolero beltpacks and Riedel panels on a 4-pin XLR, and each comes with one ear or two.

Riedel MAX double-ear intercom headset with boom microphone

Riedel

MAX HIGH ATTENUATION

MAX-D1 · MAX-D2 · MAX-E1 · MAX-E2

A closed, heavy-duty headset for high noise: front of house, monitor world, camera positions at concerts and sport. It shuts out up to 34 dB of what is going on around the wearer.

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Format
Single or double ear, closed
Noise attenuation
14 dB at 125 Hz, 31 dB at 1 kHz, 34 dB at 4 kHz
Earphone response
80 Hz to 20 kHz
Earphone impedance
300 Ω
Sensitivity
94 dB at 1 mW, 1 kHz
Dynamic microphone
Hypercardioid, 40 Hz to 12 kHz, 200 Ω
Electret microphone
Noise-cancelling, 150 Hz to 5 kHz
Microphone boom
Rotates 270°, worn left or right
Connector
4-pin female XLR; 7-pin on double-ear versions to order
Cable
1.5 m
Ear cushions
Detachable
Riedel AIR lightweight double-ear intercom headset

Riedel

AIR ULTRA LIGHT

AIR-D1 · AIR-D2 · AIR-E1 · AIR-E2

An ultra-light headset for long wear, open enough that the wearer still hears the room. The one for stage managers, show callers and anyone on comms from load-in to load-out.

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Format
Single or double ear
Earphone response
100 Hz to 18 kHz
Earphone impedance
150 Ω
Sensitivity
91 dB at 1 mW, 1 kHz
Dynamic microphone
Noise-compensating hypercardioid, 150 Hz to 10 kHz, 200 Ω
Electret microphone
Noise-compensating, 150 Hz to 15 kHz
Microphone boom
Rotates 270°, worn left or right
Connector
4-pin female XLR; 7-pin on double-ear versions to order
Cable
1.5 m
Ear cushions
Exchangeable
Riedel PRO closed-back double-ear intercom headset

Riedel

PRO BROADCAST

PRO-D1 · PRO-D2

A closed, over-ear headset for broadcast, studio and outside broadcast work, with the widest earphone response of the three.

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Format
Single or double ear, closed, over-ear
Earphone response
10 Hz to 30 kHz
Earphone impedance
250 Ω
Sensitivity
100 dB at 1 mW, 1 kHz
Dynamic microphone
Hypercardioid, 40 Hz to 12 kHz, 200 Ω
Microphone boom
Rotates 270°, worn left or right
Connector
4-pin female XLR; 7-pin on double-ear versions to order
Cable
1.5 m, plug-in

WHICH HEADSET

HEADSETBUILT FORISOLATIONEARPHONEIMPEDANCE
MAXLoud stages, sport, camera positionsUp to 34 dB80 Hz to 20 kHz300 Ω
AIRLong wear, hearing the roomOpen100 Hz to 18 kHz150 Ω
PROBroadcast, studio, commentaryClosed, over-ear10 Hz to 30 kHz250 Ω

NEED IT ON A SHOW?

Tell us the dates, the venue and roughly how many people need to talk. You will get a written quotation covering equipment, engineering time and delivery.

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